Sunday 24 January 2016

But in the end, crying through laughter might just be the best way to go out.

Field notes January 23, 2015:

As I walked out of my nearly empty room and as people started gathering on my porch to help load the taxi and see me off, I lost it.  I started crying.  Hawama, in what I’m sure was her attempt to make me feel better, started dancing.  This clownish act worked, for I then began the ridiculous process of crying through laughter. 

But in the end, crying through laughter might just be the best way to go out.
Freshly dressed in my parting gift of a beautiful smock, I sit and pose with the community elders

Here I pose in yet another beautiful smock gifted to me by the people of my other field site

And a final parting pose with my adoptive family


A year ago yesterday, I finished fieldwork and left life as a fieldworker in Upper West Ghana. Approximately 3 months ago I think I mostly recovered from fieldwork and life as a fieldworker.  This is not unusual.  It seems that most people returning from extended fieldwork have a phase of weirdness upon return.  As academic drones, we’re not necessarily in a non-weird state going into the field.  I bet most returnees would agree that this weirdness is something different than reverse culture shock.  I did not have to feign disappointment at my ability to binge watch Netflix.  Nor did I find myself missing a daily dose of slimy okra soup or non-stop dust seeping into every pore or maggoty latrines.  I sure as hell didn’t regret returning to anonymity in my whiteness.   Being anonymous is my jam as the kids say. And being white is a damn luxury.

I borrow from The New Pornographers by admitting that my 9 months of recovery were Adventures in Solitude.  Even though I found myself  finding perfect solace, if not completely cracked out on narratives guided by female protagonists exploring new contexts in ethnographic ways, I could not fully acknowledge that I was in something—some contemplative and computational phase of reintegration.  I figured my adventuring in solitude spoke to a flare up of introvertedness that fosters skepticism of and is unfulfilled by large places and small talk.  It wasn’t until I found myself confessing to a friend that I missed laughing that I realized something else was at play. 

I was adventuring in solitude because very few people could or would adventure through my fieldwork processing with me. And that makes sense. Non-anthropologists often assumed I was on a peachy keen long travel escapade. As for my fellow anthropologists, everyone’s projects are very different and everyone’s field sites are very different. However, given that long term fieldwork is the thing that defines anthropology, I find it odd that we really don’t talk about it as a practice regardless of the inherent variation.  When we do talk about fieldwork as a practice, it’s full of bravado and a little bit of cowboyesque bull shittery. We try to one up one another with what life comforts we lacked, how many tropical illnesses we acquired, or how we came to hold our own in the local liquor. I am sure many would disagree with me, but to a large extent we still glorify the adventure of the exotic.

I had a dearth of cowboy stories.  Is it exciting that instead of getting malaria I got a stye and an ear infection because I was taking so many anti-biotics to prevent malaria that I pillaged my microbiome and made myself vulnerable to any standard infection?  Not a sexy story. Worthy of an O. Henry award, perhaps, but not going to impress people who pride themselves on surviving the unusual.

I was expected to perform certain kinds of fieldwork stories for those who inquired.  People would give marginal attention to my accounts of dealing with a triumvirate of persistent male harassers in Accra, an audience getter largely because this very issue of women harassed in the field is now, thankfully, part of a larger scholarly dialogue.  But no one wanted to hear any of my stories on the theme of mining--how I couldn’t deal with the ongoing guilt I felt for being a data miner or how compromised and incapacitated I felt when my 14 year old friend ran off to a mining camp to conduct, presumably, business that 14 year old girls can conduct in mining camps to earn money for school. 



My “a snake that I’m pretty sure was a black mamba almost got into my house!” story was the one that garnered interested audiences and thus became my go-to account. The antics of my 10 year old friend Jeremiah also won over crowds.  But to be fair, I really do enjoy telling people about Jeremiah.  I miss that creative kid like crazy.

Jeremiah making fun with a mosquito net
Not surprisingly, people don’t want to hear about anything that does not evoke laughter or some sort of badassness.  And that’s not to say that those aren’t fun or relevant stories to share.  It’s that all the other stories need to be shared too so that we can be better fieldworkers, cognizant that the things that we feel in the field are relevant to our experience and are the very barometer of our ability to interpret what is going on and to maybe re-interpret how we should approach it.  So since I felt like a giant walking buzz kill-kill joy, I internally digested.

 But I hope that future returned fieldworkers do have the space to be giant walking buzz kill-kill joys if they need to be. Those bummer stories ARE fieldwork.  And the more disjointed the world becomes in terms of gross inequities in resources and well-being, and the more anthropology seeks to explain the causes and consequences of such inequities, the more bummerish these stories will become.  I’m worried about us as practitioners if these stories do not bother us. I’m worried that we let our ongoing quest to be knighted by the “harder” sciences as a legitimate science discourage self-reflectivity.  I’m pretty sure we can be better scientists by being self-reflective and being consistently thoughtful about our positionality as researchers. There’s probably even some science on that.

My 9 months of digestion was also long conversation with myself to consider what the hell I did in Ghana for 18 months, why it should matter, and most importantly, how do I move forward as an engaged citizen and not just as an eager beaver academic with journal impact factors defining my concept of impact.  I needed time to not just reflect but to project. I needed room to split the difference between an interpretation of fieldwork as an incredibly challenging chapter of personal growth and as “very important research that will transform the world.” These 9 months have largely been spent trying to understand what, exactly, I can do with data that can tell a story about how it feels to be vulnerable to climate change, to pressures of urbanization, and to marginalization from national and global economies.  Who needs to hear this story so that this story can germinate into reaction and action?  How do I get it there?  This remains a challenge. 

These 9 months of solitude were also spent remembering to laugh despite feeling irate. It is jarring to in the span of 36 hours, travel from a remote corner of the Ghanaian savanna, where people are legitimately worried about whether their children will receive an education through the 5th grade to the microcosm of university life in Athens, GA, where people generally worry (which is a polite word for whine) about not getting an A on C quality work that at large state schools inflates to a B+. I wanted to hiss at anyone demonstrating unrecognized privilege.  This included me and does, I suspect, explain the etiology of my no laughing illness.

Hawama, ever the hero, the lone 60+ plus dancer at a wedding
full of dancers in their 20s.  
So, these 9 months were also spent reminding myself that I can still exist as modestly comfortable as I am in my context without drowning in guilt or outrage for bearing witness to and understanding what goes on in other contexts--that I could, in a way, continue to cry, but most self-sustainably through laughter.  And taking a lesson from Hawama, dancing has seemed to be a very relevant catalyst. I definitely lack her smooth moves, but I know she’d approve that I’ve been taking every advantage to dance my way through the blues of writing a dissertation based on very depressing realities.

Thanks for reading my fieldwork musings.  Thanks to those who emailed and WhatsApped me while I was in Ghana.  Thanks to all who enable me to dance and belly laugh through my final PhD chapter.  Thanks to TV on the Radio for the song Killer Crane, which is oddly the perfect soundtrack to a sun setting on the savanna, the perfection of which stands as the metric confirming my choice of field site.

But most of all, thanks to the 148 Ghanaian men and women who shared their lives with me, who challenged me in ways that the formalities of a classroom never can or will, who cultivated me into a damn fine fieldworker, and who in the process helped confirm a gut and heart instinct to continue formal training in anthropology even though my brain instinct has said “no!” many a time. May I do some modicum of justice to what they have given.